Romance Writers of America was in New York this year.  The hub of publishing.  It was an awesome conference, and I was lucky enough to be invited to speak.  This year, I delivered a Reader's Digest version of the workshop that Laura Baker and I developed, Discovering Story Magic using the movie, Good Will Hunting as a template.  Discovering Story Magic is a three-step method for creating a story they can't refuse.  The story is created from the characters up.

Now, I'm the first to admit--and those of you who read my blog know--I plan my books.  The great thing about Discovering Story Magic (DSM) is that it can be used after-the-fact to revise and fine-tune your book. I'm not going to go into the entire workshop here.  There are packets available on the Discovering Story Magic website--100-page packets that analyze several different movies using DSM.  However, today, I thought I'd provide a chart that compares several plotting methods as well as a link to the presenatation I gave at RWA in New York (especially for those who wanted the Self-Image worksheet).

This has been an interesting week for me in the writing department.  I’ve been working on a proposal for the second book in a series while editors are considering the first book.  I want to have the proposal ready to go as soon as possible, and have been working on it for a while.  The issue: they’ve been the toughest beginning chapters I’ve ever written.  Truthfully, in the past, the first three chapters usually came pretty easy for me…once I’ve plotted a story out.  So what’s my problem this time? 

There's nothing worse than writing a synopsis...is there?  I haven't found it.  My first piece of advice on writing a synopsis is...get someone else to do it :-).  Seriously, as a writer, we love too much of our book to ever boil it down to its key elements.  My other bit of advice is to write it before you write the book...that way, you don't know what you don't know yet :-).  Of course, that's not always possible...either way, however, I have found a quick recipe for writing a short synopsis.  I hope it helps some of you.  It sure helped me.

The way things are going in the marketplace, most selling synopses are 5 pages or less, no matter what the length of the book.  Here's how I do it.  That being said, there are as many ways to write as there are writers, so take what you want and leave the rest.

Well, I attended the Romance Writers of America National Conference in Orlando, Florida the last week of July. I was lucky enough to be chosen to present a workshop with my fellow writer and three-time Golden Heart Finalist, Claire Cavanaugh. Our topic was Inside Scoop: Analyzing Openings as an Agent, Bookseller and Reader, Then Problem Solve as a Writer.  (presentation, handout and support material are below).  Somewhere between 200 and 250 people attended, and we didn't scare anyone off, so it seemed to be a success.

In this workshop, we used small examples of openings from Orson Scott Card, Nora Roberts w/a J.D. Robb, Jayne Ann Krentz, Sherrilyn Kenyon, Dean Koontz, Mary Kay Andrews, Gregory Maguire, and Deanna Raybourn. Then, several amazing writers submitted their openings and we analyzed them for strengths and weaknesses.

One of the most interesting aspects of the workshop was a survey we took of agents, readers and booksellers.

I recently judged a writing contest and half of the entries included scenes that didn't really work very well.  The writers could write.  The characters were good, but the scenes fell flat.  As I studied the entries more closely in order, I realized that the scenes had one thing in common.  There was no arc to the scene.

One of my critique partners and I have been talking a lot about the arc of the scene.  It's one of those elements of story that writers don't mention very often.  Many of you have read Techniques of the Selling Writer, by Dwight Swain, or Scene and Structureby Jack Bickham.  They talk about the structure of scene.

Scene includes:  goal, conflict, disaster
Sequel includes: emotion, quandary, decision, action